![]() ![]() There is a degree of distance from the motif, and the dark gazes towards the observer from the dog on the garden path and from the child in the foreground sharpen our consciousness of our role as observers. This gives an overall analytical effect and leaves no impression that Degas is interested in these particular children as such. The architecture is clearly indicated and captured by black perspective lines, while the children and the garden plants are painted very freely. Precisely the sketch-like, unfinished impression is characteristic of his work from this period, and adds a great deal to the interest of the pictures.ĭegas typically combines this painting method with a firmly shaped, sharply drawn contour, and the contrast between the sketch-like and the clear line strengthens the radical nature of the picture. He exhibited it at the Second Impressionist Exhibition in 1876 as “une esquisse” (a sketch). The picture was painted during Degas’ stay with his family in New Orleans in 1872-73. Edgar Degas (18341917), Dancer (study) (c 1880), pastel and charcoal on blue-gray wove paper, 48.9 x 31.8 cm, Metropolitan Museum of Art, New York, NY. ![]()
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